Making Sense of Ideas on Art: Image theories from G.W.F. Hegel to Horst Bredekamp
Online
Evening Study Online
Dr Matthias Vollmer
听5 pre-recorded lectures with 5 Zoom seminars at 18:00, over 5 weeks from Wednesday 7 October 鈥 Wednesday 4 November 2026
听拢245
Course Description
This course traces key arguments in art history and visual theory, asking three intertwined questions: How do images act? How does style emerge? How is meaning produced? We begin with G.W.F. Hegel鈥檚 Aesthetics, where art appears as 鈥淕eist鈥 (spirit) in sensuous form, then turn to Heinrich W枚lfflin, who re-anchors historical perception in formal binaries that shape an epoch鈥檚 way of seeing. Erwin Panofsky articulates a three-tiered method鈥攑re-iconographic, iconographic, iconological鈥攍inking motif, symbol, and worldview. With Ernst Gombrich, perception and practice take the lead: 鈥渕aking and matching,鈥 schema and correction, – this is style as problem-solving. Maurice Merleau-Ponty grounds image and vision phenomenologically in the 鈥渆mbodied chiasm of seer and seen鈥 鈥 the notion that subject and object of perception are not separate, but inextricably linked. Svetlana Alpers reframes Dutch painting as a descriptive visual culture that unsettles Italian narrative norms. Clement Greenberg codifies medium-specific formalism and painting鈥檚 self-critique, while Rosalind Krauss moves from medium to index and the 鈥渆xpanded field.鈥 Francis Haskell ties taste, canon, and meaning to patronage, collecting, and institutions. The arc culminates with Horst Bredekamp鈥檚 鈥淏ildakt鈥: images are described as agents within technical, social, and scientific assemblages.
While this course requires no pre-existing knowledge of art theory, a basic grounding in art history and an interest in philosophical concepts and the history of ideas will be beneficial.
N.B. In 2025 new VAT rules for online courses came into effect in the EU. This meant that we are now required to charge EU participants their local VAT rate.听 VAT-inclusive prices for EU students will be displayed at check-out.
听If you have any questions please email us at听short.courses@courtauld.ac.uk
Lecturer's Biography
Dr Matthias Vollmer听is听Adjunct Professor at the Freie Universit盲t Berlin European Studies Programme. He studied art history, philosophy and orientalism at the Freie Universit盲t Berlin and wrote his PhD thesis on medieval book illustration. Matthias teaches interdisciplinary seminars on medieval and Renaissance art, as well as courses on modern art at the Freie Universit盲t Berlin, the Universit盲t der K眉nste Berlin, the Universit盲t M眉nster and the Universit盲t Frankfurt. He currently researches the principles of visualisation in art and science.