Europe and the World: Encounters in Art

Online

Evening Study Online

Dr Thomas Balfe

10 pre-recorded lectures with 5 Zoom seminars at 18:30, over 5 weeks from Wednesday 4 November to Wednesday 2 December 2026.

拢395

 

Course Description

This course focuses on the art and visual culture that resulted from the encounter between European artists and Asia, Africa and the Americas, produced between the sixteenth and the late eighteenth centuries.

The materials in this area are astonishingly rich. They include depictions of non-European people by renowned painters such as D眉rer, Titian, Anthony Van Dyck and Johann Zoffany, the drawings of flora and fauna recorded by colonial artists working abroad, and the picturesque views of India and the South Seas produced by Captain Cook鈥檚 landscapists鈥 William Hodges and John Webber. Early ethnographic images and so-called听casta听paintings reflected new ideas about racial difference and the origins of humankind, even as they continued to express a strong sense of European superiority. The ivories made by sixteenth-century African carvers for Portuguese clients, and Rembrandt鈥檚 responses to Mughal miniatures, reveal the deep interest that discerning Europeans had in the knowledge and skill of foreign artists.

Works that address slavery and related forms of exploitation represent the most challenging aspect of this story, one that we will also engage with critically in our discussions.

 

N.B. In 2025 new VAT rules for online courses came into effect in the EU. This meant that we are now required to charge EU participants their local VAT rate.听 VAT-inclusive prices for EU students will be displayed at check-out.

听If you have any questions please email us at听short.courses@courtauld.ac.uk

Lecturer's Biography

Dr Thomas Balfe听is an art historian specialising in early modern (c.1550鈥揷.1750) northern European easel painting and the graphic arts. His main research areas are seventeenth-century animal, hunting, fable, and food still-life imagery. His co-edited book on the term听ad vivum听and its relation to images made from or after the life was published in 2019. He is currently working on a long-term writing project that focuses on European depictions of hunting practices in the Americas, Asia, and the Arctic.

Citations