In 1928, when interviewed for a Chicago-based publication, photographer William E. Woodard stated that he was motivated to migrate to this city in order to realize 鈥渧isions of great usefulness and progress.鈥 Like many other early twentieth century African American entrepreneurs, he believed in the potential of racial pride to counter discrimination and provide a pathway toward social and economic success. Despite a career that lasted over thirty years and established numerous franchises, his efforts, like those of his fellow black commercial photographers, remain largely unknown today. Today鈥檚 presentation addresses this absence and investigates the commercial value and cultural capital generated by an African American owned and operated photograph studio from the 1920s into the 1940s.
Amy M. Mooney is an Associate Professor at Columbia College Chicago and the 2019-2020 Terra Foundation Visiting Professor of American Art at Oxford University. Her publications include a monograph, Archibald J. Motley, Jr., as well as contributions to anthologies and catalogs includingBeyond Face: New Perspectives in Portraiture听(2018).听She is a recipient of fellowships from the American Council of Learned Societies, the National Portrait Gallery, the Smithsonian American Art Museum, and the Terra Foundation for American Art. In collaboration with听Deborah Willis, she recently launched听a听digital humanities project,听鈥淪ay It with Pictures鈥 Then and Now听that recovers and examines Chicago鈥檚 African American photographers from the 1890s into the 1930s.听At Oxford, she will complete her second book,听Portraits of Noteworthy Character: Negotiating a Collective American Identity, a project that investigates the social function of portraiture.